NaNoWriMo in Space?

Joi Weaver shares some thoughts on why you should consider writing a novel next month–and why you should be excited about space travel:

It’s always tempting, when talking of influencing culture, to buy into the “magic bullet” theory, the idea that a single cultural item will change the course of the society. “Oh,” we might say, “if only someone would make the perfect movie about space exploration, or write the perfect novel, or create the perfect painting, then everyone would understand!”

Of course, these “magic bullets” never actually work. You may get millions to see a movie like Apollo 13, but only a small percentage will become fans of space exploration because of it. Books like Roving Mars will convince a few of the need for further exploration, but only a few.

Influencing culture turns out to be more like creating a stalagmite than hitting a target. Trillions of drops of water, over thousands of years, slowly form a beautiful, lasting pillar inside a cave. In the same way, thousands of stories, in every medium, over decades and centuries, will slowly build up an idea in a culture, the picture of space as our playground, our backyard, our home.

The stories that will inspire the human race to reach for the stars cannot come only from the experts and the big-budget movie makers. The stories that will change the world have to come from us, the stories we tell our friends and neighbors as we point out the ISS in the night sky, the stories we dream up as teenagers and scribble into notebooks in college.

In this case, even a poor story may be better than no story at all. The poorest space story is still another drop of water, another point of data, another element in the construction of the narrative.

So what are you waiting for?

Read the rest here.

Image is from Flickr


Because Beating the Russians Wasn’t Enough: Crafting A Martian Narrative

Joi Weaver proposes that space exploration, that boon of sci-fi fans and writers, lacks a compelling narrative outside the scientific community. It’s ironic that a subject that has served so many artists so well may itself suffer from poor storytelling, but the ongoing shut down of poorly-funded NASA programs proves her point. Here’s an excerpt from her post at the Mars Artists Community blog:

The early space missions had a story that anyone could grasp: we were sending men to the moon! It was dangerous! It was exciting! It was putting our country in the forefront of science! This narrative kept public attention and support for the space program high through the Mercury, Gemini, and early Apollo missions.

But it fell short, ultimately resulting in an early cancellation of Apollo and hamstringing all future NASA spaceflight. Why? No-one ever developed a new narrative. “We’ve beaten the Russians to the moon,” most people thought, “isn’t that the end of the story?”

Of course it’s not the end. But you wouldn’t know that to talk to the average person-on-the-streets. Many people believe the shuttle was capable of lunar landings and had no idea the whole shuttle program was coming to an end until a few months ago. NASA, for all its media presence, failed to provide a new narrative. In the post-Challenger era, NASA decided to stress the safety of spaceflight, despite the fact that it is the riskiest human endeavor possible. NASA TV became little more than clean-cut men and women floating in a sterile environment, smiling as they talked in acronyms that meant nothing to the public: it was very safe, but it was terrible story-telling.

Fortunately, Joi argues, there’s still time to do something about this:

Mars is still a blank slate in the public mind. Some of the more well-informed people may know about the rovers, but that’s about it. This is an opportunity. We can still set the narrative for Mars, and more importantly, learn from NASA’s mistake: the story can’t just be about getting there, or we may never go back after the first trip.

A narrative is almost never set by a single person; rather, it’s a hundred little stories that slowly take root in the heart and mind of the people, gradually changing the way we see the world. No-one can say that the MER program happened because Ray Bradbury wrote The Martian Chronicles. But would it have happened, or happened in the same way, if he hadn’t written it? Where would the space program be without Bradbury, Asimov, Clarke, and a hundred others who fanned our desire to explore?

It’s time to start creating the narrative for Mars, to show the Red Planet as we know it: a place of danger, beauty, and adventure. A place that could, eventually, become home.

Check out Joi’s collaborative Mars narrative at the Mars Blog Project:Mission. And don’t be afraid to contribute!

(image courtesy of NASA)